WE ARE HAPPY TO POST WHAT OUR NEIGHBORS AND FRIENDS ARE UP TO!
JH ARTIST
JUNKO YAMADA
TWO SHOWS THIS JUNE
June 21 to July 12, 2012, Tuesday to Sunday 11-6PM
... Reception: Saturday, June 23, 3-5PM"2012
National Juried Exhibition"
at First Street Gallery
526 West 26th Street, NY, Second floor,
between 10th and 11th Avenue
June 28 to July 22, 2012, Thursday and Friday:4-7PM, Saturday and Sunday 11-7PM or by appointment
Reception: Thursday, June 28, 6-9PM "Mice to Monsters", children book Illustration show at
440 Gallery
440 Six Avenue, Brooklyn, NY
Junko was born in Kyoto, Japan. Growing up in the beach resort area of Miyazu , a beautiful area of Japan located on the Pacific coast about two hours north of Kyoto, she was influenced in my art by the spectacular scenery.Her academic training includes the Art Institute of Boston (1986-1988) and the Art Institute of Alexandria, Virginia (1992-2000). In 2010, Junko was selected as "Official Artist" for
The National Cherry Blossom Festival in Washington, DC!
JH FILMMAKER
Director Kim Cummings
(Photo by Ken Nanus)
Kim Cummings wrote
and directed the award-winning short
“Weeki Wachee Girls.”
It screened in 70
festivals worldwide, earning three “Best of”
awards and a nomination for best short at
Taos and is distributed by Buskfilms.com.
Other short films include “Flower Of A Girl”
and Kate Greer’s
“That’s What She Told Me.”
Cummings was a finalist for the Women
In Film Foundation Post Production
grant in 2010.
She received a finishing fund grant from
the Long Island Film/TV Foundation and
two separate grants from Queens Council
on the Arts for “In Montauk,”
which is her first feature.
JH COMPOSER
VIVIAN FUNG
June 22nd world premiere of Birdsong with Kristin Lee, violin, and Conor Hanick, piano, for the Delaware Chamber Music Festival.
BIRDSONG is scheduled for
Repeat performances in September
at the Kimmel Center in Philadelphia, and in New York City.
Vivian Fung has distinguished herself as a composer with a unique and powerful compositional voice. Since earning her doctorate from The Juilliard School in 2002, Fung has forged her own approach, often merging Western forms with non-Western influences such as Balinese and Javanese gamelan and folk songs from the minority regions of China. The New York Times has pronounced her work “evocative,” and the Chicago Tribune described her recent Yunnan Folk Songs as conveying “a winning rawness that went beyond exoticism.”
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